"Music by Computers," edited by Heinz von Foerster, of 'doomsday equation' fame, is a significant anthology that explores the intersection of music and computing. The book features writing and music (in the form of 4 flexi discs) by Arthur Roberts, Gerald Strang, Herbert Brün, J. K. Randall, John R. Pierce, L. Rosler, Lejaren A. Hiller, M. David Freedman, Max V. Mathews. This pioneering work compiles contributions from various experts in fields like music, mathematics, and computer science, highlighting the innovative potential of computers in music creation and analysis. The book delves into algorithms, programming languages, and theoretical frameworks used in computer-generated music, showcasing the early experiments that would shape the future of digital composition. The book also touches on the philosophical implications of machines creating art, questioning notions of creativity and authorship. "Music by Computers" not only documents the technological advancements of its time but also stimulates ongoing discussions about the evolving relationship between humans and machines in artistic endeavors.
